Extraordinary Views investigates tourism as a performative coral condition of spatial, aesthetic, and social transformation. Crowding is not merely a matter of numbers, but a state in which bodies, infrastructures, commodities, and images converge to redefine the perception of place, ultimately absorbing it into their own existence.
The work operates in the delicate balance between figure and environment, adopting an observational model that draws from both landscape and documentary practices, and from the network of human and non-human actors that generate the “touristic fact.” What emerges is a morphology of the contemporary tourist, in which the consumption of space also becomes the production of meaning and landscape.
